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Autumn
British Pre-Raphaelite Painter, 1833-1898
English painter and decorative artist. He was the leading figure in the second phase of the Pre-Raphaelite movement. His paintings of subjects from medieval legend and Classical mythology and his designs for stained glass, tapestry and many other media played an important part in the Aesthetic Movement and the history of international Symbolism.
1869-70
Painting ID:: 278
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Autumn
British
1836-1893
Atkinson Grimshaw Gallery
Roy Miles Gallery, London, England
Painting ID:: 1853
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Autumn
b.c. 1527, Milan,
d.1593, Milan Italian Giuseppe Arcimboldo Galleries
1573
Musee du Louvre, Paris
Painting ID:: 3271
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Autumn
b1837 UK d1926
Thomas Moran Locations
1893-97
30" x36"
The Philbrook Museum of Art, Tulsa, Oklahoma
Painting ID:: 4253
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Autumn
British Pre-Raphaelite Painter, 1833-1898
1869-70, gouache, private collection
Painting ID:: 18893
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Autumn
French 1594-1665 Nicolas Poussin Galleries
1660-64
Oil on canvas,
118x160 cmLouvre
Painting ID:: 10132
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Autumn
French 1594-1665 Nicolas Poussin Galleries
1660-64
Oil on canvas,
118x160 cmLouvre
Painting ID:: 10133
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Autumn
American Hudson River School Painter, 1826-1900
1875
Oil on canvas
Thyssen-
Bornemisza
Museum,Madrid
39.4 x 61 cm
Painting ID:: 10700
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Autumn
French Post-Impressionist Painter, 1839-1906
During the second half of the 19th century French impressionism created a dramatic break with the art of the past. In conception and appearance the style was radically new and, although it initially inspired public ridicule, it soon affected nearly every ambitious artist in western Europe. The new vision emerged during the 1870s, chiefly in the art of Claude Monet, Auguste Renoir, and Camille Pissarro. For each of these artists impressionism was an illusionistic style which differed from the tradition of Renaissance illusionism in its greater emphasis upon vibrant, natural color and on an immediate confrontation with the phenomena of the visible world.
As the style developed during the 1880s, however, it increasingly became characterized by paintings which were flat rather than illusionistic. In other words, the impressionists insistence upon a direct application of pigment to canvas resulted in surfaces which declared themselves first of all as surfaces - and, consequently, in paintings which declared themselves first of all as paintings rather than as windows which looked out upon the natural world.
The tendency toward flatness persisted into the last years of the 19th century, its pervasiveness giving the impression that illusionistic space - fought for, won, and defended since the very beginning of the Renaissance - had finally been sacrificed by the medium of painting. Paul C??zanne worked within and finally emerged from this trend. As a painter, he matured slowly, his greatest works coming during the last 25 years of his life. During this period he scored a remarkable and heroic achievement: he restored to painting the space and volume that had seemingly been lost to it. But he did it in a totally unprecedented way: not by return to the illusionism of the past but by the creation of a spatial illusionism that did not violate flatness.
C??zanne was born on Jan. 19, 1839, in Aix-en-Provence. His father, Philippe Auguste, was the cofounder of a banking firm which prospered throughout the artist life, affording him financial security that was unavailable to most of his contemporaries and eventually resulting in a large inheritance. In 1852 C??zanne entered the Coll??ge Bourbon, where he met and became friends with Émile Zola. This friendship was decisive for both men: with youthful romanticism they envisioned successful careers in the Paris art world, C??zanne as a painter and Zola as a writer. Consequently, C??zanne began to study painting and drawing at the École des Beaux-Arts in Aix in 1856. His father opposed the pursuit of an artistic career, and in 1858 he persuaded C??zanne to enter law school at the University of Aix. Although C??zanne continued his law studies for several years, he was simultaneously enrolled in the School of Design in Aix, where he remained until 1861.
In 1861 C??zanne finally convinced his father to allow him to go to Paris. He planned to join Zola there and to enroll in the École des Beaux-Arts. But his application was rejected and, although he had gained inspiration from visits to the Louvre, particularly from the study of Diego Vel??zquez and Caravaggio, C??zanne experienced self-doubt and returned to Aix within the year. He entered his father banking house but continued to study at the School of Design.
The remainder of the decade was a period of flux and uncertainty for C??zanne. His attempt to work in his father business was abortive, and he returned to Paris in 1862 and stayed for a year and a half. During this period he met Monet and Pissarro and became acquainted with the revolutionary work of Gustave Courbet and Édouard Manet. C??zanne also admired the fiery romanticism of Eug??ne Delacroix paintings. But he was never entirely comfortable with Parisian life and periodically returned to Aix, where he could work in relative isolation. He retreated there, for instance, during the Franco-Prussian War (1870-1871).
mk62
c.1860-1862
Oil on canvas
314x104cm
Venturi 6
Paris,Musee de la ville de Paris
Petit Palais
Painting ID:: 27726
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Autumn
Bassano 1549-Venice 1592
mk60
Oil on canvas
38x50"
Painting ID:: 28487
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Autumn
b.c. 1527, Milan,
d.1593, Milan Italian Giuseppe Arcimboldo Galleries
mk68
Oil on canvas
30"x25"
Paris
1573
Italy
Painting ID:: 30521
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Autumn
French Rococo Era Painter, 1703-1770
Francois Boucher seems to have been perfectly attuned to his times, a period which had cast off the pomp and circumstance characteristic of the preceding age of Louis XIV and had replaced formality and ritual by intimacy and artificial manners. Boucher was very much bound to the whims of this frivolous society, and he painted primarily what his patrons wanted to see. It appears that their sight was best satisfied by amorous subjects, both mythological and contemporary. The painter was only too happy to supply them, creating the boudoir art for which he is so famous.
Boucher was born in Paris on Sept. 29, 1703, the son of Nicolas Boucher, a decorator who specialized in embroidery design. Recognizing his sons artistic potential, the father placed young Boucher in the studio of François Lemoyne, a decorator-painter who worked in the manner of Giovanni Battista Tiepolo. Though Boucher remained in Lemoynes studio only a short time, he probably derived his love of delicately voluptuous forms and his brilliant color palette from the older masters penchant for mimicking the Venetian decorative painters.
mk76
Dated 175
Oil on canvas
22 1/2x28 3/4in
Painting ID:: 31800
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Autumn
Russia.1844-1927
mk100
1896
Watercolor and pencil on paper
31.5x44cm
Painting ID:: 35152
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Autumn
one of the most known landscape writers in Russia.1873-1944
mk100
Painting ID:: 35161
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Autumn
1746-1828
mk132
1786-87
Oil on canvas
275x190cm
Museo del Prado,
Madrid
Painting ID:: 38279
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Autumn
Russian Painter, 1860-1900
mk144
1888
Oil on linen
41x65cm
Painting ID:: 39212
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Autumn
Russian Painter, 1860-1900
mk144
1896
Watercolor graphite stiff on paper
31.5x44cm
Painting ID:: 39244
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Autumn
American
1880-1946
mk146
1935
Painting ID:: 39308
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Autumn
Swedish Realist Painter, 1853-1919
mk163
Watercolor
1884
Nationalmuseum
Painting ID:: 41582
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Autumn
Russian, 1881-1955
mk211
1901-1908
Oil on canvas
42.2x61cm
Painting ID:: 50311
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Autumn
1746-1828
mk214
1786-7
Oil on canvas
275x190cm
Painting ID:: 50679
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Autumn
French Painter, ca.1885-1956
mk224
23.8x16.9cm
1907
Painting ID:: 52937
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Autumn
Flemish Baroque Era Painter, 1577-1640
mk225
1635-1638
131x229cm
Painting ID:: 52973
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Autumn
Ukrainian-born Russian Realist Painter, 1844-1930
mk96
1892
Painting ID:: 53137
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Autumn
British
1849-1910
Louis Welden Hawkins Galleries
mk229
c.1895
oil on canvas
Painting ID:: 53339
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Autumn
Norwegian Realist Painter, 1855-1936
mk235
1891
Oil on canvas
120x151cm
Painting ID:: 54354
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Autumn
1814-1875
French
Jean Francois Millet Galleries
mk245
1868-1874
85x110cm
Painting ID:: 55863
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Autumn
1814-1875
French
Jean Francois Millet Galleries
mk245
Painting ID:: 55864
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Jean Francois Millet
1814-1875
French
Jean Francois Millet Galleries
Autumn
mk245
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